Does Not Like Spam: The narrator of "Cat Food" makes no secrets about his hatred of the cheap, poor-quality supermarket food he has to eat every day, with the chorus consisting of him growling "cat food, cat food, cat food, again?!".The interior gatefold additionally consists of an elaborate blue and green marble pattern, fitting the oceanic title. Design Student's Orgasm: Following in the footsteps of its predecessor, the album cover consists of The Twelve Archetypes, an elaborate impressionist painting by Tammo De Jongh depicting twelve different faces of humanity six of them appear on the front, six on the back.Capitalism Is Bad: "Cat Food" uses a supermarket full of cheap, disgusting, and outright poisonous products as a metaphor for the reduced quality of life in a capitalist society."Bringer of War" Music: "The Devil's Triangle" is a direct adaptation of the Trope Namer, Gustav Holst's "Mars, Bringer of War" from The Planets.Additionally, side two opens with "Peace - A Theme", forming a bookend within a bookend with "Peace - An End". Book Ends: The album opens with "Peace - A Beginning" and closes with "Peace - An End", both of which share the same melody.Boléro Effect: "The Devil's Triangle" starts off soft and eerie before picking up in intensity and chaos as it progresses, fitting its nature as an adaptation of Gustav Holst's "Mars, Bringer of War".You trope everywhere, but not inside you: Gordon Haskell: vocals on "Cadence and Cascade".Robert Fripp: guitars, keyboards, devices."In the Wake of Poseidon (Including Libra's Theme)" (8:24). "Pictures of a City (Including 42nd at Treadmill)" (7:57).In the Wake of Poseidon was supported by one single: "Cat Food". 31 on the Billboard 200 (compared to the No. 4 on the UK Albums chart, just barely edging out its predecessor in chart performance. With the unexpected domestic success of In the Court of the Crimson King having built up plenty of anticipation for a follow-up, In the Wake of Poseidon peaked at No. To consolidate this approach and ensure that the album could be completed, Fripp and Sinfield brought in a handful of session musicians to flesh out what was yet to be completed, including Peter Giles of King Crimson's precursor band, Giles, Giles and Fripp, and future King Crimson members Mel Collins and Gordon Haskell. Not only does it feature the same Jazz Fusion sound with copious Classical Music influences (right down to a loose adaptation of Gustav Holst's "Mars, Bringer of War"), but several tracks are direct homages to ones from In the Court of the Crimson King. Sound-wise, the album is a direct continuation of its predecessor.
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